A study of the major design influencer Jean Prouvé

Jean Prouvé: life and work

Jean Prouvé was a highly regarded member of the outstanding group of French Architects, Engineers and Fabricators working in the mid-20th Century. Born in Paris on 8th April 1901, he lived until the age of 82 and died on 23rd March 1984.

Jean came from a very artistic family. His father, Victor Prouvé, was a well-regarded artist and also a furniture designer and his mother, Marie Duhamel was a pianist.

“La mort du cygne” Piano by Victor Prouvé

“La mort du cygne” Piano by Victor Prouvé

Early career and L’ecole de Nancy

Jean’s father belonged to the art collective called, l’École de Nancy. The simple goals of the collective were to make art accessible to all the varied classes of society and to ensure that lasting links would be forged between art and industry. Other members of the group included the noted furniture designer Louis Majorelle and the genius glass artist Emile Galle.

After studying for three years in the School of Fine Arts in Nancy, Jean started his artistic career as an apprentice blacksmith with Emile Robert close to Paris. After leaving his master, Jean went to work for M. Szabo, who owned a metal workshop in Paris

Logic, balance and purity

The apprenticeship under M. Szabo gave Jean an understanding of metal fabrication at its purest level. He could see the value in simple shapes and forms, and he could appreciate the beauty of simple items. Jean used the skills he had learned as a blacksmith, in his architectural projects as well as his industrial design. He lived his professional life under the motto ‘logic, balance and purity.’

Return to Nancy

Jean returned to Nancy in 1923, where he opened his first workshop. The workshop included a forge, and among his early products were wrought iron lamps, chandeliers, and simple utilitarian furniture. As his career continued he moved away from wrought iron, to sheet materials which he could fold into almost any simple, structural, architectural element. The chairs in the images have strong structural and architectural design elements.

Jean’s training as a blacksmith drove his interest into easily made, repetitive components. During the mid-1930’s he was producing pre-fabricated schools, hospitals, and even office buildings. He also expanded his offering to include prefabricated service/gas stations.

The interiors below show a strong influence from the components of his chair designs.

The image on the left shows the Jean Prouvé Standard SP Chair Powder-coated sheet & tubular steel frame, ASA plastic (fine textured) seat/back Made in Germany by Vitra Image from Hive Modern. On the right is the folding chair designed by Jean Prouvé 1928, made by Les Ateliers Jean Prouvé 1929, made with a combination of tubular steel and linen canvas. Image from Museum of Fine Arts Houston.

The image on the left shows the Jean Prouvé Standard SP Chair Powder-coated sheet & tubular steel frame, ASA plastic (fine textured) seat/back Made in Germany by Vitra Image from Hive Modern. On the right is the folding chair designed by Jean Prouvé 1928, made by Les Ateliers Jean Prouvé 1929, made with a combination of tubular steel and linen canvas. Image from Museum of Fine Arts Houston.

Aluminium House and World War II

Jean Prouvé Metropole Alluminium House 1949. An all-steel structure consisted of two load-bearing portal frames which left the interior free to be used as required. Image from Gallerie Patrick Seguin

Jean Prouvé Metropole Alluminium House 1949. An all-steel structure consisted of two load-bearing portal frames which left the interior free to be used as required. Image from Gallerie Patrick Seguin

Jean Prouvé Metropole Alluminium House 1949. An all-steel structure consisted of two load-bearing portal frames which left the interior free to be used as required. Image from Gallerie Patrick Seguin

Jean’s lightweight design came in at under two tons. The building was 3.3 m2 (35.5 square feet) and remarkably could be put up or taken down by five workers in four to five hours. This type of clear thinking and design was also used after World War II to help re-home the millions of refugees around the world.

Jean was a politically active member of the French Resistance, and after World War II became the Mayor of Nancy. Following Liberation he was made a member of the Advisory Assembly

How our use of metals and finishing processes features in design today and since prehistoric times.

The Mini - an iconic car with a design that is recognised around the world. - Double Stone Steel

The Mini - an iconic car with a design that is recognised around the world.

Considered the second most influential car of the 20th Century just after the Ford Model T the Mini is a British Pop-culture icon.

The story of Kem Weber (1889 – 1963), one of the proponents of Art Deco design and architecture in 1930s America - Double Stone Steel

The story of Kem Weber (1889 – 1963), one of the proponents of Art Deco design and architecture in 1930s America

Richard Storer-Adam recounts the work of this influential industrial designer, famous for his work with Walt Disney Studios, through two of his favourite products created in the style of Streamline Moderne.

How the simple industrial process of tube drawing allows for the production of precision quality pipe and tube - Double Stone Steel

How the simple industrial process of tube drawing allows for the production of precision quality pipe and tube

Richard Storer-Adam gives a brief history of two essential modern-day products - hypodermic needles and steel pipes - and the manufacturing technique that connects them.

A brief tutorial on the most luxurious stainless steel watches in the world - Double Stone Steel

A brief tutorial on the most luxurious stainless steel watches in the world

Richard Storer-Adam gives a brief tutorial on Rose and Rose Gold watches, watch straps, lugs and integrated wrist bands including the Rolex Glidelock system in 904L stainless steel.

A virtual tour of Oscar Niemeyer’s Museu de Arte Contemporânea de Niterói, Brazil - Double Stone Steel

A virtual tour of Oscar Niemeyer’s Museu de Arte Contemporânea de Niterói, Brazil

An appreciative and honest critique of this dramatic architectural work - Lola Adeokun shares her experiences and feelings whilst visiting Niemeyer’s museum of art in Rio de Janeiro.

Outrageously successful. Peter Marino, the artist behind the architect - Double Stone Steel

Outrageously successful. Peter Marino, the artist behind the architect

Carol Rutter looks at how art and sculpture are integrated into this controversial art and music-loving prolific designer’s interiors including his work for Christian Dior for whom he designs nearly all of their stores.