Richard Storer-Adam examines the key aspects and story behind this impressive landmark, the largest stainless steel building in the world, which is built in the form of a flattened catenary arch.
Richard Storer-Adam gives us an in-depth look at two of the vivid and interpretive works of this modern sculptor working in quotidian metals and materials and how they comment on our lives today, especially those of women.
Richard Storer-Adam looks at the work of the man who became known simply as “Mies” with a focus on the iconic Barcelona chair, still made today with only one redesign in the fifties to incorporate the use of stainless steel.
Richard Storer-Adam reviews the philosophy behind the organic steel sculpture built from weathering steel, nowadays known as corten steel, that has strikingly rusted both outside and inside, and that became a house over a period of 33 years.
Richard Storer-Adam looks at the methodology of this Canadian fabricator and welder who became an artist creating gigantic metal sculptures cutting and grinding each of the hundreds of highly reflective components himself.
Richard Storer-Adam investigates the use of stainless steel as cladding used decoratively for interiors and exteriors of buildings, including the famous Frank Gehry New York skyscraper, with a focus on its durability, aesthetic qualities and technical performance.
Richard Storer-Adam looks at the work of the Russian sculptor who coined the term Constructivism and created art works in the material that was the pre-runner of Corten steel.
Richard Storer-Adam looks at the Hungarian Bauhaus graduate and originator of tubular steel furniture and two of his most famous chairs – the Wassily chair and the Cesca chair.
Richard Storer-Adam gives an overview, assessing whether this was a success story or a failure, of the doomed car company and iconic product with a shell of glass-fibre and brushed 304 stainless steel with gull-wing doors made famous in the film series “Back to the Future”.
Richard Storer-Adam looks at this now timeless design classic from the 1920’s, its inspirational designer and how the Bibendum chair was the foundation for the Michelin Man cartoon for the French tyre company.
Richard Storer-Adam examines the core characteristics of great design using the examples of the Philippe Starck lemon squeezer, the 1962 Vespa GS 160 scooter and the Apple store, Istanbul Turkey.
Richard Storer-Adam looks at these wonder metals, both alloys of copper and tin, that last the ages and how they compare to each other in practical and artistic use.
We look at how this primal color denotes status, high-value black products such as ebony, obsidian and granite and how black is used today for luxury products such as the Piaget Altiplano Skeleton black PVD watch.
Richard-Storer Adam takes us on a visit to marvel at British artist Anish Kapoor’s mesmerising bean- shaped mirrored stainless steel installation in the AT&T Plaza, Millennium Park in Chicago, Illinois.
Looking at the symbolically laser-cut stainless steel cladding which operates as shutters, a decorative building skin and a sculptural element for this contemporary house.
Richard Storer-Adam examines the background of this sculpture, by Belgian engineer, André Waterkeyn, based on the form of an iron crystal magnified 160 billion times.
We take a visit to this triumphant installation created from glued Kerto-Q LVL timber material arranged to an orthogonal grid and rising to 28 metres in height.
Coloured Stainless Steel PVD Coating
All our fabrications are available in Double Stone Steel PVD colored stainless steel.
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